The Workshop: 3D & Fabrication
If illustration is how I dream, fabrication is how I make those dreams tangible. There is a specific magic in taking a two-dimensional concept and solving the puzzle of how to give it weight, texture, and existence in the real world.
My fabrication work is an extension of my love for fantasy and storytelling. Whether I am sculpting, casting, or building, I approach every piece as an opportunity to pull an object out of the imagination and into reality, applying the same attention to detail and character that drives my 2D work.
Día de los Muertos Trio I fabricated this trio using mixed media to balance structural form with detailed realism. The facial bases were sculpted from paper clay for a lightweight finish, while the floral crowns were constructed using cardboard paper.
To achieve a hyper-realistic gaze, I crafted the eyes from polymer clay and sealed them with resin for a high-gloss, glass-like effect, adding real eyelash extensions as the final touch. The intricate surface designs were hand-detailed using acrylic markers.
Power Ranger Build (WIP) Current progress on post-processing and costume modification. For the helmet, I sourced a raw 3D print and am currently refining the surface by sanding down print lines and using Flex Paste to fill and contour any uneven areas.
For the footwear, I customized a pair of stock boots to match the character design. I masked off the diamond motif and prepped the surface with Angelus Deglazer to ensure adhesion. I then applied multiple coats of Red Angelus Paint, finishing with Angelus Sealant for a durable, flexible finish.
"Fiber Art Study In my first exploration of embroidery, I focused on understanding the fundamentals of thread painting and texture. I utilized a variety of techniques to achieve different surface effects, employing the satin stitch for smooth color fills, the back stitch for precise linework, and the chain stitch to add dimensional detail.